Friday, August 15, 2008

Badui, Banten

The Baduy, who call themselves Kanekes, are a traditional community living in the western part of the Indonesian province of West Java. Their population of between 5,000 and 8,000 is centered in the Kendeng mountains at an elevation of 300-500 meters above sea level. Their homeland in West Java is contained in just 50 km² of hilly forest area 120 km from Jakarta, Indonesia's megalopolis of high-rises and fast cars. The Baduy are divided into two sub-groups; the Baduy Dalam (Inner Baduy), and the Baduy Luar (Outer Baduy). No foreigners were allowed to meet the Inner Baduy, though the Outer Baduy do foster some limited contacts with the outside world.

Language

The Baduy speak a dialect derived from archaic Sundanese. However, modern Sundanese and Javanese influences in their archaic dialect can be heard in their speech.

Religion and Beliefs
The religion of the Baduy is known as Agama Sunda Wiwitan, a combination of traditional beliefs and Hinduism. However, due to lack of interaction with the outside world, their religion is more related to Kejawen Animism, though they still retain many elements of their original Hindu-Buddhist religion, like the terms they use to define things and objects, and the rituals in their religious activities. A certain amount of Islamic influence has also penetrated into the religion of a few of the Baduy Luar in recent years, with some original ideas thrown in for good measure. The ultimate authority is vested in Gusti Nu Maha Suci, who according to the Baduy sent Adam into the world to lead the life of a Baduy. The Baduy also observe many mystical taboos. They are forbidden to kill, steal, lie, commit adultery, get drunk, eat food at night, take any form of conveyance, wear flowers or perfumes, accept gold or silver, touch money, or cut their hair. Other taboos relate to defending Baduy lands against invasion: they may not grow sawah (wet rice), use fertilizers, raise cash crops, use modern tools for working ladang soil, or keep large domestic animals. There is evidence that they were originally Hindu, and adopted this many centuries before foreign influence including Arab (Islam), European (Christianity) etc.

Social Classes

Generally speaking, the Baduy are divided into two groups: The Baduy Dalam and The Baduy Luar. The community of villages in which they live are considered mandalas, derived from the Hindu/Buddhist concept but referring in the Indonesian context to places where religion is the central aspect of life. The population of about 400 Baduy Dalam consists of 40 families Kajeroanl who live in the three villages of Cibeo, Cikertawana, and Cikeusik in Tanah Larangan (forbidden territory) where no stranger is permitted to spend the night. They are probably the purest Baduy stock. The Dalam follow the rigid buyut taboo system very strictly,( see Religion and Beliefs for more information about their taboos ) and thus they have made very few contacts with the outside world as they are considered as "People of the sacred inner circle". The Dalam are the only one of these two major clans that have the Pu'un, the spiritual priest of the Baduy. The Pu'un are the only people that visit the most hallowed and sacred ground of the Baduy which lies on Gunung Kendeng, in a place called Arca Domas. Unlike the Luar, the Dalams are hardly influenced by Islam. The Baduy Luar make up the remainder of the Baduy population, living in 22 villages and acting as a barrier to stop visitors from entering the Sacred Inner circle. They do follow the rigid taboo system but not as strictly as the Dalam, and they are more willing to accept modern influence into their daily lives. For example, some Luar people now proudly sport the colorful sarongs and shirts favored by their Sundanese neighbours. In the past the Baduy Luar only wore only their homespun blue-black cloth, and were forbidden to wear trousers. Other elements of civilization (toys, money, batteries) are rapidly infiltrating especially in the villages to the north, and it is no longer unusual for an outer Baduy to make a journey to Jakarta, or even to work outside as a hired hand during the rice planting and reaping seasons. Some even work in big towns and cities like Jakarta, Bogor and Bandung. Animal meat is eaten in some of the outer villages where dogs are trained for hunting, though animal husbandry is still forbidden.

History

Some people believe that the Baduy are the descendants of the aristocracy of the Sunda Kingdom of Pajajaran who lived near Batutulis in the hills around Bogor; their domestic architecture follows most closely the traditional Sundanese architecture. Pakuwan known also as Sunda Kelapa, the capital of Pajajaran, was destroyed by invading Falethan Muslims in 1579. However, the Baduy today are increasingly losing touch with their Hindu culture and increasingly getting closer to nature both in their own religion and their life, as they use no electricity, fertilizer or irrigation techniques in their farming. Another theory suggests that they originate in northern Banten; pockets of people in the northern hills still speak the archaic dialect of Sunda that the Baduy use.

Education

Even today, despite the ways that Suharto tried to force them to change their lives and build modern schools in their territory, the Baduy opposed the government. As a result, very few Baduy are able to read or write. Jesuit Priest, Father Wayne P. Penaflorida is a leading proponent for education of all Baduy.

Thursday, August 14, 2008

Kampong Naga, Tasikmalaya West Java

Kampong Naga is a traditional village with extent about 4 hectares area. It can be reach through highway connecting Tasikmalaya and Bandung via Garut, which is about 30 km west to Tasikmalaya. Administratively, Kampong Naga is part of Dusun (a cluster of village) Legok Dage of Neglasari Village of Salawu Sub District.

The attraction of kampong naga is a unique life of community live there. They socialize with modern society, embraced Islam, but strictly hold custom and tradition from their ancestor. They perform Islamic Holidays rituals, such as Mulud or Alif ritual with conducting Pedaran (reading the history of their ancestor). This begin with taking a bath in Ciwulan River and they allow tourists to participate in ritual as long as they adhere to the rules.

All buildings (house, mosque, meeting hall, rice barn) have the same shape. They all have roof made of palm leaves with palm fiber ridge, their walls are made of woven bamboo, and doors are made of rattan fiber. All buildings face on the north or south, while pile of stones arranged in orderly fashion are unique architecture and ornament of Kampong Naga.

A. MARKET PROSPECT
Many tourists have come to this place because of

its strategic location. According to Tourism Office of Tasikmalaya, The foreign tourists in 1997-2000 were 33,629 people, while domestic tourists were 106,536 people. The revenue of this tour object can be classified as on target or even over-target. But if looking over its nominal revenue, it is on 4th compared the whole tourism objects. As illustration, the target revenue in 2000 was Rp 2,000,000, while its realization was 2,162,000, or about 108,10% of target revenue.

B. INVESTMENT OPPORTUNITY

Physical investment on Kampong Naga has to be restricted to avoid the damage of unique culture of Kampong Naga. This tour object is transit place to other tour objects. The possible investment opportunity is tourism promotion.

Culture of West Sumatra

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West Sumatra is one of the most beautiful areas of Indonesia. It is mountainous and divided by three valleys. There are lovely lakes and spectacular volcanoes. But Minangkabau land is very special and has the most friendly population group of Indonesia. They love to talk with visitors and will tell us about their unique society. If a visitor tries to understand the culture and Minang traditions he will soon feel himself a member of the clan. He will be invited as a guest to their homes - a unique way to become acquainted with real Indonesian life. Most of our hosts and hostesses are English teachers so language will not be much of a problem. They will show us the community and explain their customs.

The land of the Minangkabau, West Sumatra has a distinct culture, which distinguishes it from the rest of the island. A land of scenic beauty with blue green lakes and mountains, West Sumatra's Centre of culture and tourism is Bukittinggi in the highlands, north of the provincial capital of Padang. Most prominent in the landscape is the horn-shaped roofs of the houses nestled in the coconut groves. The name Minangkabau means triumphant buffalo. It leads a community and family life based on a matrilineal system, which clusters around mosques and the traditional houses. As it is the women who have the properties, the men are known for their wanderlust and entrepreneurship. Traveling is considered a mark of success and therefore many of them are found "merantau" (emigrated) to other parts of the country. This is proof that many Minang or Padang restaurants, serve very spicy food, found in all major towns in the nation. The people are hospitable and eloquent in a poetic style of speech and ceremonies. Festivals are colorful occasions.

West Sumatra has a coastline where the capital is situated. The hinterland is a range of high mountains, which dip into picturesque valleys and lakes. Amongst them are the remnants of the old Minangkabau kingdom of Pagaruyung, (the art centers for silver, hand-weaving, embroidery and woodcarving).

Geographically
West Sumatra province has about 49,778 sq km width, which is located between 0o 54' North Latitude and 3o 30' South Latitude and between 98o 36' and 101o 53'. The boundaries of this regency is:
North Side: Riau Province
South Side: Indian Ocean
West Side: North Sumatra Province
East Side: Jambi and Bengkulu Province

Wide Area
West Sumatra Province has 42,297.30-km2 areas. The West Sumatran coastline faces the Indian Ocean and stretches 375 km from North Sumatra province in the northwest to Bengkulu in the southeast. West Sumatra lakes include: Maninjau (99.5 km2), Singkarak (130.1 km2), Diatas (31.5 km2), Dibawah (14.0 km2), Talang (5.0 km2). West Sumatra rivers include: Kuranji, Anai, Ombilin, Suliki, Arau. The mountains & volcanoes of West Sumatra are included: Marapi (2,891 m), Sago (2,271 m), Singgalang (2,877 m), Talakmau (2,912 m), Talang (2,572 m), Tandikat (2,438 m).

Climate
The temperature of West Sumatra province has ranges between 22o C and 32o C, and the rainfall is 2,289 mm per year.

Administratively
West Sumatra Province is divided among 8 regencies and 6 municipals with Padang as its capital city.

Demography
The people of this province have a strong tradition leaving their hometown to make their way of life. Indeed, West Sumatra communities (Minang) are easily found in each province of Indonesia. In 1994, the total population reached 4,265,900 people with its density amounted to 101 people per Km2. In the 1990-1994 period, the people grew at a rate 1.6% per year or in the lower level that of the population national growth amounted to 2.144% per year.

Culture of North Sumatra

North Sumatra is one of Indonesia's last surfing frontiers. "North Sumatra" consists of 5 islands or island groups: Hinako Islands, Nias, Telos and 2 other obscure island groups to the north. North Sumatra receives similar swell to Mentawais and enjoys its peak swell season from May to September. Despite Indonesia's reputation for hollow lefts, in North Sumatra right-handers are slightly more prevalent. While Lagundri Bay at Nias has been surfed for decades, it is the more obscure rights like Bawa (a Sunset-like right bowl that holds up to 15 feet) and Treasure Island (a long, hollow, mechanical right peeling for 200 meters) that have attracted the attention of late. Throw a mix of hollow and bowl lefthanders into the picture like Asu, Afulu, the Machine, and many more obscure rights and lefts.

In contrast to the small island of Bali, North Sumatra province is large with one of the biggest lakes in the world, Toba Lake, at its navel. The continuous mountain of Bukit Barisan, which extends from Aceh at the tip of Sumatra island to Lampung at the bottom of the island, guards the province on the west side, providing home for thick, tropical jungles and lush vegetations. As you go down the western mountains towards the beaches of the east, mountain streams, strong rivers, and gorgeous waterfalls will accompany you.

Along the length of this province crosses Bukit Barisan Mountains with peaks of numerous volcanoes. The land has thick virgin forests, lush vegetation, rice fields, mountain streams, rivers, waterfalls and sandy beaches. It has a rich flora and fauna. An abundance of birds, butterflies, buffaloes, deer, mouse deer, orangutans and many other export commodities make North Sumatra one of the richest provinces in Indonesia, as it produces more than 30 % of Indonesia's exports. The province offers the visitors, especially nature lovers, beautiful tropical panoramas, terraced rice fields, blue mountains, jungle covered hills, white sandy beaches, music, dance and folk arts.

Relative to Bali, North Sumatra has very heterogeneous ethnic groups, and thus, cultures. The people of the eastern coasts, also known as the Malays (Melayu) have markedly different traditions and culture from Batak highlanders who live around Toba Lake and Samosir Island. Further south, the Mandailings and Angkolas, and Nias Island, have yet more flavors of traditions and culture. Besides them, there are several ethnic groups who live in Medan and other towns of North Sumatra. Its largest groups are Chinese and Indian, who being naturalized Indonesian citizens. Other Indonesian tribes like Acehnese, Minangkabau, Javanese, etc also live in many parts here. Each of the mentioned tribes as well as the ethnic groups has its own dialect, religion, beliefs, traditional customs, etc. Arts and cultures make this region, a paradise for social scientists. Among the ancient Indonesian cultures, which can be seen at Samosir Island, are the centuries old tombs of Batak Toba kings and a stone-table with its benches, where the Siallagan chiefs formerly held meetings.

Geographically
North Sumatra province has 70,787 sq km width. Geographically, it is located between 1o and 4o North Latitude and between 98o and 100o East Longitude. The area is Borders with:

  • North side: the special territory of Aceh
  • South side: West Sumatra Province and Riau Province
  • West side: Indian Ocean
  • East side: Malacca Strait

Administratively
North Sumatra Province is divided among 11 regencies, 6 municipals, and 3 administrative towns with Medan as its capital city.

Geology
Composed of coastal areas, lowlands, plateaus, and mountains.
Humidity: Varies between 79% and 96%.
Climate
As one of Indonesia islands, North Sumatra has rainfall of 1,100-3,400 mm per year. It temperature is range between 18o C and 34o C.

Demography
Historically, North Sumatra Province has a migration flow of population either from other provinces because of the existence of heavy plantation in this province or migration to other areas for studying and expanding business. Since population mobility is high, there are multi ethnics on the community. In 1994, the population density of North Sumatra Province reached 157 people per Km2. Compared to the average national population growth (2.144% per year), this province was on the lower level with 1.53% per year. The projection population composition in 1997 can be seen on the following table.

Monday, August 11, 2008

Batik Painting


Batik (Javanese-Indonesian pronunciation: [ˈba.teʔ], but often, in English, is [ˈbætɪk] or [bəˈtiːk]) is an Indonesian word and refers to a generic wax-resist dyeing technique used on textile. The word originates from Javanese word "amba", meaning ”to write” and the Javanese word for dot or point, "titik."

It is known to be more than a millennium old, probably originating in ancient Egypt or Sumeria. There is evidence that cloth decorated through some form of resist technique was in use in the early centuries AD.[citation needed] It is found in several countries later in West Africa such as Nigeria, Cameroon and Mali, or in Asia, such as India, Sri Lanka, Bangladesh , Iran, Thailand, and Malaysia, but the most popular are in Indonesia. The art of Batik reached its highest achievement in technique, intricate design, and refined aesthetic in Java, Indonesia. The island of Java has been well known for its exquisite batik for centuries, particularly in places such as Yogyakarta, Solo, Cirebon, and Pekalongan.



Culture

Batik has been both an art and a craft for centuries. In Java, Indonesia, batik is part of an ancient tradition, and some of the finest batik cloth in the world is still made there.

Contemporary batik, while owing much to the past, is markedly different from the more traditional and formal styles. For example, the artist may use etching, discharge dyeing, stencils, different tools for waxing and dyeing, wax recipes with different resist values and work with silk, cotton, wool, leather, paper or even wood and ceramics.

Batik is historically the most expressive and subtle of the resist methods. The ever widening range of techniques available offers the artist the opportunity to explore a unique process in a flexible and exciting way..

Procedure

A batik painting depicting two Indian women.

A batik painting depicting two Indian women.Dipping a cloth in a dye.

Dipping a cloth in a dye.

Melted wax is applied to cloth before being dipped in dye. It is common for people to use a mixture of bees wax and paraffin wax. The bee's wax will hold to the fabric and the paraffin wax will allow cracking, which is a characteristic of batik. Wherever the wax has seeped through the fabric, the dye will not penetrate. Sometimes several colors are used, with a series of dyeing, drying and waxing steps.

Thin wax lines are made with a canting needle, a wooden handled tool with a tiny metal cup with a tiny spout, out of which the wax seeps. Other methods of applying the wax onto the fabric include pouring the liquid wax, painting the wax on with a brush, and applying the hot wax to precarved wooden or metal wire block and stamping the fabric. After the last dyeing, the fabric is hung up to dry. Then it is dipped in a solvent to dissolve the wax, or ironed between paper towels or newspapers to absorb the wax and reveal the deep rich colors and the fine crinkle lines that give batik its character. The invention of the copper block or cap developed by the Javanese in the 20th century revolutionised batik production. It became possible to make high quality designs and intricate patterns much faster than one could possibly do by hand-painting. Indonesian batik used for clothing normally has an intricate pattern. The traditional ones carry natural colors while the contemporary ones have more variety of color. Some batik may be mystic-influenced, but very rarely used for clothing. Some may carry illustrations of animals and people. (Source : wikipedia)

Further reading

  • Elliott, Inger McCabe. (1984) Batik : fabled cloth of Java photographs, Brian Brake ; contributions, Paramita Abdurachman, Susan Blum, Iwan Tirta ; design, Kiyoshi Kanai. New York : Clarkson N. Potter Inc., ISBN 0517551551
  • Fraser-Lu, Sylvia.(1986) Indonesian batik : processes, patterns, and places Singapore : Oxford University Press. ISBN 0195826612
  • Doellah, H.Santosa. (2003). Batik : The Impact of Time and Environment, Solo : Danar Hadi. ISBN 9799717310

Candi Mendut (Mendut Temple), Cental Java

Mendut Temple is the older temple than Borobudur Temple. There are stories for children on its walls. It is located 1 km to the east of Pawon temple. There are magnificent statues of Buddha inside the temples. For Waisak ceremony, the offering and the praying start in this temple.

Mendut Temple is frequently used to celebrate the Waisak day every May full moon and the pilgrims from Indonesia and all parts of the world come to this ceremony. Its architecture is square, and have an entrance on its steps. Its roof is also square and terraced. There are stupas (= bell-shaped structures) on it.

There are three big statues inside, they are:

  1. Cakyamuni sitting in cross legged pose with dharma cakra mudra (= turning the wheel of dharma hand pose)
  2. Awalokiteswara, a bodhi satwa as human being helper.
    Awalokiteswara is a statue with Amitabha on her crown, Vajrapani. She is holding a red lotus and put on her palm.
  3. Maitreya, a savior of human beings in the future.

There are stories for children on its walls.

Candi Mendut (Mendut Temple) is frequently used to celebrate the Waisak day every May full moon and the pilgrims from Indonesia and all parts of the world come to this ceremony.